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A | 近日，在邯郸市峰峰矿区主城区，几辆警灯闪烁的无人巡逻车平稳穿行在街巷之间，开展日常治安巡逻。这是当地公安部门投用的无人驾驶警用巡逻车，成为日常街面巡防的好帮手。“无人驾驶警用巡逻车采用L4级自动驾驶技术，日常巡逻时速约20公里，可自主识别红绿灯、规避路障，按照预设路线不间断巡逻。”邯郸市公安局峰峰矿区分局警务保障室负责人孔言介绍，作为一体化智能移动安防装备，该车搭载360°全景监控设备，集成人脸识别、车牌抓拍、异常行为智能检测等AI功能，同时配备警灯警笛、远程对讲、语音循环播报、LED宣传屏等模块，可满足街面管控、风险预警、流动普法、群众求助等多元警务需求。

The Girl Who Was FiredA virtual AI actress has gathered massive followers and stirred widespread heated debate on Chinese social media - unlike conventional celebrities, this breakout star is entirely artificially generated.
Fang Taozi, an AI-generated character who stars in the hit AI short drama series The Girl Who Was Fired, has posted lifestyle vlogs, launched social media accounts, shared her breakfasts, workouts and pets, landed brand deals and has a fanbase.
Since the drama debuted on short video platform Douyin on June 12, it has accumulated 200 million views. Fang's Douyin account has attracted more than 400,000 followers.
Fans interact with her as if she were a real celebrity, creating fan edits, discussing fictional relationships and building a community around her imagined life.
This raises a question that has become increasingly urgent for the entertainment industry: Does Fang Taozi represent the first generation of AI celebrities? The answer depends on how "celebrity" is defined, said Zhang Peng, a cultural researcher and associate professor at Nanjing Normal University, in an interview.
If celebrity status is measured by public attention, emotional connection and commercial value, Fang appears to meet many of the criteria. She has fans, a personal brand and even advertising opportunities.
Whether AI can truly become stars depends not on the technology itself, but on their ability to forge genuine emotional connections with audiences and sustain their appeal over time, added Zhang.
However, Shi Wenxue, a Beijing-based cultural critic, argues that AI stars have indeed emerged, but they should be viewed as part of the broader lineage of virtual idols.
From the 1958 US virtual musical group Alvin and the Chipmunks to Hatsune Miku, Luo Tianyi and the hyper-realistic digital human Liu Yexi, virtual performers have existed in various forms for decades.
From the perspective of how she is created, Fang Taozi represents a technological advance. Her emergence is largely a product of the current economic environment of the film and television industry.
The rise of AI performers has also triggered concerns among human actors, especially those working in smaller productions.
Human performers bring personal experience, emotional interpretation and unpredictability - qualities that remain difficult to reproduce. But for industries that require large volumes of affordable content, AI characters offer obvious advantages: They do not age, can work continuously and can be customized for different audiences.
AI short dramas are cheaper, faster and free from the risks associated with human performers, raising concerns over the future of lower-level entertainment jobs in areas such as short dramas, advertising, background acting and voice work, said Zhang.
In Shi's view, beneath the debate lies a familiar tension: technological efficiency versus the threat of displacement for human workers.
The question is not whether AI will completely replace actors, but which parts of acting and entertainment can be automated, he noted.
Rather than presenting an AI figure only as a digital image, Chinese platforms appear to be building complete entertainment ecosystems around AI characters, including dramas, social accounts, fan interactions and commercial partnerships.
China's AI stars have grown out of the audience's desire for emotional companionship, while Hollywood's AI experiments have been shaped by industry battles over efficiency and costs, noted Zhang.
According to Shi, Fang Taozi's sudden popularity is, in many ways, a reflection of audience psychology. Whether they are moviegoers, fans or casual viewers, audiences have grown weary of formulaic content, scripted fan service, predictable performances and fragile celebrity personas. An idol like Fang Taozi offers an alternative: She cannot be involved in scandals, play diva or break character, and her persona can be adjusted to meet audience demands. But the model also comes with risks, particularly the limitations of its creators and the potential for excessive commercialization.
。此前，一辆无人驾驶警用巡逻车巡逻至峰峰矿区滏北小学周边路段时，监测到路边几名男子情绪激动、互相谩骂推搡。无人巡逻车第一时间向分局情报指挥中心推送预警信息，同步回传现场实时画面。指挥中心接到信息后，值班民警立即通过车载远程喊话功能对争执人员进行警告、劝阻，同时调度周边警力赶赴现场，及时对争执双方劝导安抚，最终几人握手言和。

B | “无人巡逻车可以对社会治安隐患早预警、早发现、早处置。”孔言表示，传统巡防受人员精力、时段限制，很难做到无死角全覆盖，特别是背街小巷、凌晨时段容易出现防控盲区。无人巡逻车边走边采集路面动态，对人员跌倒滞留、矛盾纠纷、火情隐患、临水遇险等各类异常状况自动识别预警，有效弥补了传统巡防的短板。除治安巡控外，无人巡逻车还兼具便民服务与流动宣传功能。